like the uncertainty of an approaching storm
the staccato tap of fingers on keys
plays a scattered beat. I wonder
if that is the sound of
revealed like sign language,
battle of life
I’ve been lucky enough to “know” Billy (because we’ve never actually met in real life) since the earliest stages of our publishing careers. He is genuine, honest, chivalrous, and has one of the most creative minds around. If you doubt that, just read his post from today, in which he thanks folks for reading his books. He’s just. that. nice.
Read them because he’s a mix of Stephen King and Ron Rash, with a sprinkle of Rick Bragg and Tom Franklin.
Read them because you won’t be able to put them down because his stories are true and scary and real and impossible all at the same time.
With the “profound sense of Southern spirituality” he is known for (Publishers Weekly), Billy Coffey draws us into a town where good and evil—and myth and reality—intertwine in unexpected ways.
Everyone in Crow Hollow knows of Alvaretta Graves, the old widow who lives in the mountain. Many call her a witch; others whisper she’s insane. Everyone agrees the vengeance Alvaretta swore at her husband’s death hovers over them all. That vengeance awakens when teenagers stumble upon Alvaretta’s cabin, incurring her curse. Now a sickness moves through the Hollow. Rumors swirl that Stu Graves has risen for revenge. And the people of Crow Hollow are left to confront not only the darkness that lives on the mountain, but the darkness that lives within themselves.
This book is CRAZY! Crazy good, crazy paced, and crazy wicked! But more than that…beyond the plot…it’s a story that will have you asking heart questions and hard questions…questions about what you believe and what’s real and what’s not-so-real…about what’s important and what’s not.
I love the way he centers the story around teenagers (maybe since I have three of my own), because teenagers are young enough to feel invincible but old enough to have wisdom unspoiled by cynicism like adults. I love the way he uses dialect and setting to pull you right in to the deep, dark mountains of Appalachia. I love the way he’s not afraid to blend mystery and faith, good and evil, the seen and the unseen.
And the end? Good GRIEF, the end!
Billy’s written a lot of really, really excellent books. But this one…this one is my favorite so far!
Billy Coffey’s critically acclaimed books combine rural Southern charm with a vision far beyond the ordinary. He is a regular contributor to several publications, where he writes about faith and life. Billy lives with his wife and two children in Virginia’s Blue Ridge Mountains. Visit him at http://www.billycoffey.com. Facebook: billycoffeywriter Twitter: @billycoffey
“Coffey spins a wicked tale . . . [The Curse of Crow Hollow] blends folklore, superstition, and subconscious dread in the vein of Shirley Jackson’s ‘The Lottery.’”
I’ve been thinking about this question as I begin my fourth novel.
Usually when folks ask me this question, I tell them nature. In many ways, the biology, geology, geography and weather of a place is like another main character, such as the pecan farms and salty bayside breezes of southwest Alabama in How Sweet the Sound; blustery winter in Ukraine and the sunswept Michigan lakeshore in Then Sings My Soul. I tend to imagine myself living in the places we travel to, soaking in the local flavor and scents, terrain and sounds, and I can’t help but share all that in my stories.
Lots and lots and lots of books.
Nonfiction books about settng and time periods.
Fiction books in and out of the genre I’m considering.
Other books completely unrelated to what I’m writing about.
Stacks of books sit on my nightstand. The dining room table sags with the weight of a giant collection of books fresh from the library. Books pile on the floor and on my desk, in the bathroom and in the kitchen.
Even the dogs can be caught reading…or trying to chew on…books.
Someone once said there are no new stories, just new ways of telling them. And indeed, not only do I read because I love to, I read to study plot, to absorb the way a character is developed, to dissect detail and style, rules other authors follow and rules they break.
The more I read, the more I fill my writing tank, so to speak. Soon, brand new characters start revealing themselves in my mind, and (at the risk of someone thinking I ought to be committed) they begin to speak.
Stephen King refers to this phenomenon as a muse, or, “the boys in the basement:”
“There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer. He lives in the ground. He’s a basement kind of guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think it’s fair? I think it’s fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist, but he’s got inspiration. It’s right that you should do all the work and burn all the mid-night oil, because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.”
I completely agree with Mr. King.
The basement guys are hungry.
A library is to the muse what Costco is to my teenage boys.
What about you? If you’re a writer, how do books play in to your writing process?
How do you feed your basement boys?